Syntax
Literate: Jurnal Ilmiah Indonesia p�ISSN: 2541-0849 e-ISSN: 2548-1398
Vol.
7, No. 12, December
2022
AN
ANALYSIS OF BOUND MORPHEMES IN FIREHOUSE�S SONG LYRICS ENTITLED "WHEN I
LOOK INTO YOUR EYES"
Sukmono
Bayu Adhi
Universitas
Bina Sarana Informatika, Indonesia
E-mail:
[email protected]
Abstract
This study aims to analyze the bound morphemes in the lyrics of the song
�When I Look into Your Eyes�. It is a descriptive qualitative study where data
analysis is presented in tabular form. Based on the result of the study, it can
be concluded that the song lyrics contain 9 bound morphemes which two of them
are derivational morphemes that function as class changing affixes. They each
change an adjective to a verb, and a verb to a noun. The other seven data are
inflectional morphemes which function as plural, past-tense, past participle,
and third-person singular. From the calculation results, it is seen that the
number of derivational morphemes is 22.5 percent while inflectional morphemes
reach 77.5 percent. so it can be concluded that the inflectional morphemes are
the most dominant.
Keywords: Song Lyrics,
Bound Morpheme, Derivational Morpheme, Inflectional Morpheme.
Introduction
English is an international language that
is used by most people in the world. It is not only used for communication in
daily activity but it is also used in almost all sectors of life including in
the field of art (Saddhono, 2018). Many people in the world that are
not English native speaker oftenly also use English in creating their music or
song even though it is not their native language. The song that uses English
lyrics will be understood easily by all people in the world (Hampp, 2019). That�s why the people who are non
native speaker must understand at least the basic knowledge of how to make the
correct sentences in English. Sentences are made up of words, so the speaker should
understand the internal patterns of the words. The study that concerns with
this thing is called morphology. (Wales, 2014) states that morphology �concerns
the internal patterning of words, their �roots� or �stems� and affixes.�
(2014:277). (Atkinson et al., 2014) states �...attempts to define the
word as a unit of grammar are in many ways more problematic than similar
attempts with respect to the morpheme.�
(Kreidler, 2002) states that "The technical
term for a minimal meaningful part is morpheme. Arms, chair, happy, guitar,
lemon, shoe and horn are all morphemes; none of them can be divided into
something smaller that is meaningful. They are free morphemes because they
occur by themselves. (1998:51).
Based from the statement above, it can be
concluded that morpheme is the smallest grammatical unit that has meaning, and
then free morpheme is the kind of morpheme that can stand alone (Purwanti, 2020). (Kreidler, 2002) also states that "The
elements un-, ist-, and -ade in unhappy, guitarist and lemonade respectively,
are also morphemes; they are bound morphemes which are always attached to
something else, as in these examples". This statement explains that beside
free morpheme, the other kind of morpheme is called bound morpheme which cannot
stand alone because they must be attached to other morphemes.
(Matthews, 1974) explains that "In
Bloomfield's classic formulation, forms such as bon-, -bo or -bis are bound
forms (or sequences of one or more bound morpheme): form which can only appear
as part of larger form or larger sequence of morphemes".� (Wales, 2014) states that �The morpheme (coined
in 1896 by analogy with phoneme) is the smallest distinctive unit of
grammatical analysis: it may be a word or free form, or anaffix or bound
form�. (Spencer, 1991) stated "...from the word
disagreements we can dissect a basic morpheme agree and three bound morphemes,
dis-, -ment, and -s. We call agree the root and the other (bound) morphemes
affixes. The morphems -ment and -s, which come to the right of the root, are
suffixes, while dis-, which comes to left, is a prefix. In the word
disagreement we call the form disagreement the stem." (1991:5). (Wales, 2014) states that �Affix is used
in lexicology for a morpheme or form which can be added to the base or root of
a word, usually at the beginning (i.e. prefix) or end (i.e. suffix), to make
new words: e.g. pre-war; kindness�.
Based from the statements above, it can be
concluded that bound morphemes are affixes. It�s also called suffixes when they
comes to the right of the root, and called prefix when it comes to the left. (Spencer, 1991) also states that "traditional
grammarians usually distinguished between two main types of morphological
operation, inflection (or inflexion) and (derivation)".
This study focuses on the analysis of
bound morphemes consisting of affixes, because sometimes it is not so easy for
beginner English learners, especially those who are not native speakers of
English. (Atkinson et al., 2014) states that "The distinction
between inflectional and derivational forms is an important and useful one, but
this does not mean that it is always possible to distinguish them clearly".
METHOD
This study used
descriptive qualitative method.�
According to (Gay & Airasian, 2000), "Qualitative
Research analyzes data interpretively by organizing the data into categories,
identifying patterns, and producing a descriptive narrative synthesis, whereas
quantitative analysis involves statistical procedures".The writer also
used quantitative methods as a support in calculating the percentage of study
results (Goertzen, 2017).
In this study the writer
focused on finding the bound morphemes that used in �When I Look into Your
Eyes� song lyrics. This song was performed by the music group Firehouse in
1992. Based on the data that was obtained from www.lyrics.com, it is explained
there that FireHouse is an American hard rock or heavy metal band formed in
Charlotte, North Carolina, in 1989. The band reached stardom during the early
1990s with hit singles like "Don't Treat Me Bad" "Reach For The
Sky" and "All She Wrote", as well as their signature ballads
"I Live My Life for You", "Love of a Lifetime", and
"When I Look Into Your Eyes". At the 1992 American Music Awards,
FireHouse won the award for Favorite Heavy Metal/Hard Rock New Artist.
states that
"Lirical: referred originally to lyric poetry, that is, to poetry written
to be sung to a lyre. However, the term 'lyric' now designates a short poem
which emphasizes the expression of the individual's feeling and emotion rather
than external events or attitudes".
The writer analyzed the
data through some steps such as: (1) Reading the data; (2) Finding the meaning
of the data, (3) Finding the types of bound morphemes used in the data by using
tabulation, (4) Describing the types of derivational and inflectional morphemes
used in the data, (5) Making conclusion
Result and Discussion
The
lyrics of the song �When I Look into Your Eyes�
a.
I
see forever when I look in your eyes
b.
You're
all I ever wanted
c.
I
always want you to be mine
d.
Let's
make a promise till the end of time
e.
We'll
always be together
f.
And
our love will never die
g.
So
here we are face to face
h.
And
heart to heart
i.
I
want you to know we will
j.
Never
be apart
k.
Now
I believe that wishes can come true
l.
Cause
I see my whole world
m.
I
see only you
n.
When
I look into your eyes
o.
I
can see how much I love you
p.
And
it makes me realize
q.
When
I look into your eyes
r.
I
see all my dreams come true
s.
When
I look into your eyes
t.
I've
looked for you all of my life
u.
Now
that I've found you
v.
We
will never say goodbye
w.
I
can't stop this feeling
x.
There's
nothing I can do
y.
Cause
I see everything when I look at you.
Table 1
The Percentage of Study Result
No |
Type of Bound Morpheme |
Data |
Percentage |
1 |
Derivational Morpheme |
2 |
22.5
% |
2 |
Inflectional Morpheme |
7 |
77.5
% |
|
��
Total |
9 |
100 % |
Table 2
The Result of Data Analysis
No |
Data (Word in Lyric) |
Line |
Type / Category |
Function |
Amount |
1 |
eyes |
1,
14, 17,19 |
Inflectional
morpheme |
Plural |
4 |
2 |
wanted |
2 |
Inflectional
morpheme |
Past
Tense |
1 |
3 |
wishes |
11 |
Inflectional
morpheme |
Plural |
1 |
4 |
makes |
16 |
Inflectional
morpheme |
Third-Person
Singular |
1 |
5 |
realize |
16 |
Derivational
morpheme (Class changing Affix) |
Change
Adjective --> Verb |
1 |
6 |
dreams |
18 |
Inflectional
morpheme |
Plural |
1 |
7 |
looked |
20 |
Inflectional
morpheme |
Past
Participle |
1 |
8 |
found |
21 |
Inflectional
morpheme |
Past
Participle |
1 |
9 |
feeling |
23 |
Derivational
morpheme (Class changing Affix) |
Change
Verb --> Noun |
1 |
|
Total Data:�
9 |
|
|
Total words: |
12 |
�
After
analyzing the data, the writer found 9 data which are bound morphemes. They
consist of 2 derivational morphemes and 7 inflectional morphemes. All of the
derivational morphemes function as the class changing affixes. (Atkinson et al., 2014) states that
"...derivational often relates forms of different categories: consider and
considering are both verbal forms, but consideration is a noun".
From
the statement above it s clear that the derivational morpheme is a kind of
bound morpheme which added to a stem to derive a new word (Adhi, 2022). Besides it can
change into the new meaning, it can sometimes also change the word-class. And
all of the derivational morphems found in this study are the class changing
affixes. They are changing a noun to a verb, changing an adjective to a noun,
and changing a verb to an adjective. If the affixes don�t change the word
class, it can be said that the morphemes are the class maintaining affixes. But
the class maintaining derivational morphemes are not found in this song lyrics.
Based
on the table 2, it can be also seen that there are 7 inflectional morphemes.
Inflectional morpheme is a kind of bound morpheme which never change the syntactic
category. According to (Atkinson et al., 2014), "a further
typical distinction is that inflexion relates word forms which can be
considered to fall within the same syntactic category...".
The
inflectional morphemes found in this study function as Plural, Past Tense, Past
Participle, and third-person singular (Sondakh et al., 2022). Data 1 (line 1)
shows that suffix �s that is attached in the word eye has a function as plural.
Data 2 (line 2) shows that suffix �ed that is attached in the word want has a
function as past tense. In data 3 (line 11), the suffix �es that is attached in
the word wish also has a function as plural. In data 4 (line 16), the suffix �s
that is attached in the word make has a function as third-person singular. In
data 6 (line 18), the suffix �s that is attached in the word dream has a
function as plural. In data 7 (line 20), the suffix �ed that is attached in the
word look has a function as past participle because the sentence uses present
perfect tense. Data 8 (line 21) indicates that the word found has an
inflectional morpheme that function as past participle because the sentence
also uses present perfect tense.
In
addition, the amount of data used in this study are only 9 data although there
found 12 words that contain bound morphemes. It is because the 3 words found in
this study are the same words which are sung repeatedly for several times as
parts of chorus, so the writer considers it as the same data that have been
included in the previous data.
The
result of study that shown in table 1 indicates that there are 9 data of bound
morphemes that consist of 2 derivational morphemes and 7 inflectional
morphemes. So, this study shows that the inflectional morphemes are more
dominant than the derivational ones where the inflectional amount reaches 77
percent of the total data.
Conclusion
Based on the result of
the study, it can be concluded that the song �When I Look into Your Eyes�
contains 9 bound morphemes. Two of them are derivational morphemes that
function as class changing affixes. They each change an adjective to a verb,
and a verb to a noun. Seven of the data are inflectional morphemes which
function as plural, past-tense, past participle, and third-person singular.
From the calculation results, it can be seen that the number of derivational
morphemes is 22.5 percent while inflectional morphemes reach 77.5 percent. So
it can be concluded that the inflectional morphemes are the most dominant
Adhi, S. B. (2022). An
Analysis Of Bound Morphemes In The Goo Goo Dolls�song Lyrics Entitled �Iris.� Jurnal
Akrab Juara, 7(1), 261�267.
Atkinson, M., Roca, I.,
& Kilby, D. (2014). Foundations Of General Linguistics (Rle Linguistics
A: General Linguistics). Routledge.
Gay, L. R., &
Airasian, P. (2000). Educational Research: Competencies For Analysis And
Application. Merrill An Imprint Of Prentice Hall, Upper Saddle River. New
Jersey.
Goertzen, M. J. (2017). Applying
Quantitative Methods To E-Book Collections. Ala Techsource.
Hampp, P. (2019). Use Of
Songs In Teaching Simple Tobe And Past Tense Teaching. Journal Of English
Language And Literature Teaching, 4(1), 15�24.
Kreidler, C. (2002). Introducing
English Semantics. Routledge.
Matthews, P. H. (1974).
An Introduction To The Theory Of Word Structure. Cambrtctge^ Eng.�:
Cambridgeup, 14777.
Purwanti, Y. (2020). An
Analysis On The Use Of Derivational And Inflectional Morphemes In English Song
Lyrics On Maher Zain�s �Forgive Me� Album. Channing: Journal Of English
Language Education And Literature, 5(2), 57�62.
Saddhono, K. (2018).
Cultural And Social Change Of Foreign Students In Indonesia: The Influence Of
Javanese Culture In Teaching Indonesian To Speakers Of Other Languages (Tisol).
Iop Conference Series: Earth And Environmental Science, 126(1),
12091.
Sondakh, F., Olii, S. T.,
& Rombepajung, P. (2022). An Analysis Of Inflectional Affixes In Ariana
Grande�s Song Lyrics. Jotell: Journal Of Teaching English, Linguistics, And
Literature, 1(2), 196�220.
Spencer, A. (1991). Morphological
Theory. An Introduction To Word. Structure In Generative Grammar.
Wales, K. (2014). A
Dictionary Of Stylistics. Routledge.
Copyright holder: Sukmono Bayu Adhi (2022) |
First publication right: Syntax Literate: Jurnal
Ilmiah Indonesia |
This article is licensed under: |